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Home Copyright Law

Does YouTube’s copyright legal guidelines undermine fundamental rights

by Penny Tucker
September 4, 2025
in Copyright Law
0

Remember, while the phrase ‘Google it’ had a hoop to it? But in the previous couple of years, YouTube has been making all of the noise. The platform, which commenced with the motto ‘broadcast yourself,’ has redefined impartial video broadcasting and is a source of revenue.

You would possibly have heard of the fast-growing online species of YouTubers. They make films for a living, and a number of them are minting it by the minute. But make no mistake, they aren’t in a Los Angeles land. If they earn money from the views, it’s possible that they can lose it number of ways.
Algorithm police

In March 2007, Viacom filed a one-billion-dollar lawsuit against YouTube. Viacom alleged that YouTube “willfully blinded itself” towards copyright infringement with the aid of permitting customers to upload and consider copyrighted content owned by Viacom. A few months later, YouTube started testing a digital fingerprinting machine to locate uploads that infringe copyright. This has finally become the Content ID, which basically verifies each upload in opposition to the covered audio and video files on YouTube.

While YouTube informs approximately Content ID problems even as uploading a video, even though a video passes the YouTube algorithm, it may be claimed manually. Typically, those claims are made using agencies that own the content material, consisting of music, films, TV shows, and video games.

Amit Doshi, founding father of IVM Podcasts, says, “We are missing a clean framework around what constitutes an infringement and what constitutes commentary on content material, and the way these two should play together. I don’t have any trouble with YouTube demonetizing without a doubt infringing content — the issue gets extra complicated when the infringement is not obvious.”
Drops within the ocean

Last month, Paul Davids, a YouTuber who teaches guitar, claimed into claimed 15 times in an hour using Universal Music Group. The video, titled ‘10 Extremely Tasty Licks (you need to recognize Easy to Hard’, was claimed because Paul performed a -2d lick from the Eagles’ music. How else is one alleged to train guitar online? It isn’t very pleasant for the creators to take excellent care of the truthful utilization coverage of YouTube.

Another incident where a massive organization claimed the video was on PewDiePie’s channel. Sony ATV Publishing claimed revenue from all Dr. Phil videos (a show where PewDiePie critiques a TV display). In the video, he says, “I want to make Dr. Phil motion pictures, but all of them get claimed via reproduction strike. I must probably go to the court docket; that’s probably lots of dollars in revenue.” According to PewDiePie, those motion pictures had been claimed manually.

As in step with FAQs on YouTube — ‘Different countries have unique policies regarding when it’s okay to use fabric without the copyright owner’s permission. For example, within the United States, works of observation, complaint, research, teaching, or information reporting might be considered fair use.’

Things get even greater complicated when it is not possible to track the organization that claimed the video. Last year, Christian Friedrich Johannes Büttner, a German film producer and musician, popularly called TheFatRat on YouTube, found himself in a similar situation, whilst his track, ‘The Calling,’ with forty-seven million views, was claimed by using Ramjets, which had all the symptoms of a fictitious organization. Naturally, the Christian idea is a mistake and disputes the declaration B, but in line with YouTube’s policy, the claimant is required to check the claim. Upon which Christian’s account may want to get a copy strike (3 strikes and you’re out of YouTube). Christian explains the information in his video ‘How my video with forty-seven million perspectives turned into stolen on YouTube.’

Penny Tucker

Penny Tucker

I’m not the typical corporate attorney. Instead, I write about things I’m passionate about—including law, finance, and politics. In addition to writing, I’ve taught a class on writing for lawyers and am a contributing editor for lawrenca.com. To learn more, check out my site: https://lawrenca.com/

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